Kavan (TAMIL)

Starring: Vijay Sethupathi, Madonna Sebastian, T Rajendhar, Bose Venkat and many more
Editing : Anthony
Music : Hiphop Tamizha
Cinematography : Abinandhan Ramanujan
Directed by: KV Anand

KV Anand has joined hands again with write duo Subha and new face Kabilan Vairamuthu to pen the story of this film. This adds the curiosity of the film along with the casting led by Vijay Sethupathi and energetic T Rajendhar. When this unusual combo joins together we can expect a cracking film. Lets see whether the film is like that or not.

Thilak (Vijay Sethupathi) is a talented journalist, who wants to achieve big in media, he gets a job in a leading TV channel owned by Kalyan (Akashdeep Saighal). There he meets Malar (Madonna), his ex-flame in college, and love blooms again. Slowly Thilak finds the process is not so interesting, and he is upset. After Thilak’s unexpected honest live interview with a politician (Bose Venkat) where he is connected to issues with student power (led by Vikranth), who is a close friend of Kalyan goes awry, he and his friends decide to walk out. Now Thilak and gang join a little known TV channel owned by Mayilvaganan (T Rajendhar). The rest of the film is all about how the young team unmasks the corrupt side of the TRP driven channel.

The film moves at a rapid pace during the first half and is highly engaging and entertaining taking a dig at the TV channels as how they manipulate everything from reality shows to news to awards to get their TRP’s high. The dialogues are bold and striking and each character has its own distinctive style of speech which enhances the viewing. The ever-charming Vijay Sethupathi does his job to utmost perfection. His natural flair for comedy combined with his earnest attempt, he is a treat to watch. TR is acting in a full-fledged role after long time and he goes over the top with his usual rhyming and timing which is his strength.

Madonna Sebastian does a neat job and looks fascinating in the songs. Vikranth has given a riveting performance. Pandiarajan makes his presence felt while Bose Venkat is a revelation as the ruffian politician. Abhinandan’s cinematography, especially in the second half is excellent in giving the right feel for the different versions of the sequences of events. HipHop Tamizha’s BGM had a good sync with the content but still could have been better. KV Anand has dished out a well researched screenplay on their chosen subject and the powerful dialogues compliment it. Though it has its own flaws it can be enjoyed once..!! 🙂