Starring: Rajkiran, Revathi, Prasanna, Chaya Singh and many more
Editing : Prasanna
Music : Sean Roldan
Cinematography : Velraj
Directed by: Dhanush
Dhanush has now entered into direction..!! After acting, producing, singing, writing lyrics he dons the hat of the director. He has chosen a 60+ actor as his lead in his debut directorial venture. Lets see what he has tried saying us through his story.
Power Paandi (Rajkiran) is a retired stunt master in Tamil film industry, living with his son Raghavan (Prasanna), daughter-in-law (Chaya Singh) and their two children. Raghavan wants his dad to stay at home and spend his time but Paandi is a person who can’t take things lightly, as he wants to work and be occupied. When Paandi picks up a fight with the local thugs, it causes embarrassment to Raghavan. This forces Paandi and he writes a letter and leaves home. The old man wants to explore life and goes on a road trip to meet his first love (Revathi) in Hyderabad. What happens next forms the rest.
Dhanush has packaged the movie in such a way that the film has necessary commercial elements including fight, romance, songs and family sentiments. Establishing the characters and premise takes up a chunk of the film’s first half. The film’s second half moves briskly, save for the unnecessary songs that act as speed bumps in the narrative. Rajkiran carries the entire film on his broad shoulder and shines in every frame emoting effortlessly be it charged up for the fight sequences or becoming a child when playing with his grandchildren.
Revathi lifts the film with her brilliant performance though for a very short period of time, she steals the show. The way she sits down with her daughter and discusses the idea of companionship at 60. Take a bow. The flashback scenes of Dhanush and Madonna Sebastian (young Rajkiran and Revathi) though well-written is cliched. Prasanna as the son who repents for his behavior towards his dad after he goes missing has given a good account of himself while Chaaya Singh as his wife does not get any scenes to score. Rinson as the boy next door who has a casual and loyal friendship with Power Paandi is so natural that you wish there are more scenes between them.
If simplicity is the heart of the film, Sean Roldan’s music is the soul. The background scores and the album itself is all about narrating Power Paandi’s story. Velraj’s camera captures the rural flavor and ambience effectively. Dhanush gives us a heartwarming film that, despite its conventional storytelling, packs in a huge emotional wallop. An emotionally strong film but not too much emotional on a story basis. Can give a try..!! 🙂
Starring: Vijay Sethupathi, Madonna Sebastian, T Rajendhar, Bose Venkat and many more
Editing : Anthony
Music : Hiphop Tamizha
Cinematography : Abinandhan Ramanujan
Directed by: KV Anand
KV Anand has joined hands again with write duo Subha and new face Kabilan Vairamuthu to pen the story of this film. This adds the curiosity of the film along with the casting led by Vijay Sethupathi and energetic T Rajendhar. When this unusual combo joins together we can expect a cracking film. Lets see whether the film is like that or not.
Thilak (Vijay Sethupathi) is a talented journalist, who wants to achieve big in media, he gets a job in a leading TV channel owned by Kalyan (Akashdeep Saighal). There he meets Malar (Madonna), his ex-flame in college, and love blooms again. Slowly Thilak finds the process is not so interesting, and he is upset. After Thilak’s unexpected honest live interview with a politician (Bose Venkat) where he is connected to issues with student power (led by Vikranth), who is a close friend of Kalyan goes awry, he and his friends decide to walk out. Now Thilak and gang join a little known TV channel owned by Mayilvaganan (T Rajendhar). The rest of the film is all about how the young team unmasks the corrupt side of the TRP driven channel.
The film moves at a rapid pace during the first half and is highly engaging and entertaining taking a dig at the TV channels as how they manipulate everything from reality shows to news to awards to get their TRP’s high. The dialogues are bold and striking and each character has its own distinctive style of speech which enhances the viewing. The ever-charming Vijay Sethupathi does his job to utmost perfection. His natural flair for comedy combined with his earnest attempt, he is a treat to watch. TR is acting in a full-fledged role after long time and he goes over the top with his usual rhyming and timing which is his strength.
Madonna Sebastian does a neat job and looks fascinating in the songs. Vikranth has given a riveting performance. Pandiarajan makes his presence felt while Bose Venkat is a revelation as the ruffian politician. Abhinandan’s cinematography, especially in the second half is excellent in giving the right feel for the different versions of the sequences of events. HipHop Tamizha’s BGM had a good sync with the content but still could have been better. KV Anand has dished out a well researched screenplay on their chosen subject and the powerful dialogues compliment it. Though it has its own flaws it can be enjoyed once..!! 🙂
Starring: Vijay Sethupathi, Madonna Sebastian, Samuthirakani and many more
Editing : Leo John Paul
Music : Santhosh Narayanan
Cinematography: Dinesh Krishnan
Directed by: Nalan Kumaraswamy
Nalan and Vijay created a sensation in their previous flick which catapulted them to stardom overnight and gave a new lease of life for the young gen people. They are back again with this flick which is based on Korean movie ‘My dear Desperado’. Lets see how they have provided us this film.
Kathir (Vijay Sethupathi) is a wannabe rowdy, whose only aim is to own a bar. He has just now back from prison life and it was for his area councilor, who promised him to provide him a life. Yazhini (Madonna Sebastian) loses her IT job during recession and due to financial crisis, she stays in the small flat opposite Kathir. The rest of the film is all about how these two people with drastically different dreams gel with ease and develop a liking for each other.
Kudos to Nalan for opting for a film as realistic and subtle like this. This is a film that you need to see with a clear mind, with a laid back attitude and a little patience too. One of the main reasons why this film works is because of its central characters. While Vijay Sethupathi turns even an ordinary scene into a laugh riot, Madonna makes an impressive debut. Since the movie revolves around its lead pair, supporting actors have limited screen space and yet Samuthirakani makes his presence felt with a superlative extended cameo.
Santhosh Narayanan elevates each and every scene with his soulful score. Dinesh’s camera has captured Chennai in a different shade. Leo’s editing could have done better. Everything has been handled with subtleness and that seems to be the unique attribute of Nalan. Overall its a classy romantic less rom-com which can be given a miss if you are an entertainment seeker. If not watch it for the lead pairs..!! 🙂