Baahubali 2 (TAMIL)

Starring: Prabhas, Rana Daggubati, Anushka, Tamannah, Ramyakrishnan, Satyaraj, Nasser and many more
Editing : Venkateswara Rao
Music : Keeravani
Cinematography: KK Senthil Kumar
Dialogues : Kaarky
Directed by: SS Rajamouli

Baahubali 2 the biggest release of this year in Indian cinema and the most expected sequel has finally released. After a blockbuster first part, the expectation for Baahubali 2 movie reached great heights. Did the movie manage the hype? Let’s see that in below.

The plot is simple – Palvallthevan (Rana) cunningly kills Amarendra Baahubali (Prabhas) through the royal slave Kattappa (Satyaraj) and also arrests Baahubali’s wife Devasena (Anushka). Saved by the sacrifice of Sivagami (Ramyakrishnan),  Mahendra Baahubali (Prabhas) comes to know about  the cruel death of his dad and takes revenge against his uncle Palvallathevan to become the king of Magizhmathi kingdom. Did he win and takes the throne forms the rest.

Rajamouli treats every frame with so much attention and care and that makes you to avoid blinking for the fear of losing out on a jaw-dropping moment in the story. Apart from the slightly dragged romantic sequences between the lead pair, the rest of the screenplay was so crisp that it covers all areas that are needed for such a grand film. Prabhas has stolen the show with his exceptional performances as Amarendra Baahubali and Mahendra Baahubali in the movie. He oozes action in all the scenes he appears. Anushka once again proves why she has been considered as one of best actresses of her generation, with the brilliant performance. The actress succeeds in matching the senior actors in the frame with her effortless acting skills.

Rana Daggubati who appears as the antagonist, is simply perfect in his role. His portrayal of the cruel king, especially the in the older age portions of the character is totally praiseworthy. Surprisingly, Satyarj’s character has been given an humourous touch in the movie, and the actor has played it to near perfections. Ramya has wonderfully portrayed the various shades of her character with the same ease. The VFX was exceptional at the certain points, but falls flat at a few portions, especially in the climax war sequences. The biggest highlight of the movie Keeravani and his background score. BGM gives you goosebumps.

Senthil Kumar’s camera takes you on a wide panoramic ride of eye-popping sets. Sabu Cyril and his team can take a bow for creating such breathtaking manual sets. Rajamouli has successfully broken the myth which suggests that sequels can’t over-power the first parts, with this amazing piece of work. He deserves a huge round of applause for making Baahubali 2 a magnificent cinematic experience. Baahubali on the whole is magnificent and has all the elements to make you watch it in theaters. A classic movie experience which simply outshines its highly celebrated prequel. Don’t miss this one..!! 🙂


Si 3 (TAMIL)

Starring: Suriya, Anushka, Sruthi Hasan, Anoop Singh Thakur and many more
Editing : VT Vijayan – TS Jay
Music : Harris Jayaraj
Cinematography : Priyan
Directed by: Hari

Sorry guys..!! Couldn’t write out the reviews of few movies which I watched in last one month (not many though). Was held up with few works so I will be writing them now. Adjust please..!! 🙂

The story is set in Andhra Pradesh. When Andhra Police is unable to pin down the killers of Police Commissioner of Vizag (Jayaprakash), the Home Minister (Sarath Babu) brings Durai Singam (Suriya), a cop belonging to Tamil Nadu through a special appointment to crack the mysterious case. During his investigation, Durai Singam finds that Central Home Minister’s son Vittal (Anoop Singh Thakur) who is based in Australia along with his henchman Reddy (Sarath Saxena) is shipping tons of e-waste and medical waste near Vizag. This kills many school students and it was Reddy and gang who kills the Commissioner, who had solid evidence to put them behind bars. How Durai Singam nails Vittal forms the crux of the story.

Hari is a master of commercial films. The writer in him has added all the necessary elements that would satisfy the fans. On the making side, his swift and racy narration won’t give you the time to think much and will take you through a speedy entertaining ride. Hari maintains a sense of urgency in his films from the beginning to end. Suriya, meanwhile, has brought a lot of energy to his character and is only getting better at playing Durai Singam. The average first half of the film is redeemed by the onscreen presence of Suriya.

Anushka reprises her role from the previous two versions. As usual, she has given a very reliable performance but her character could have given more importance in the movie. Sruthi Hasan mostly comes like an eye candy in the film. She plays a journalist who obviously falls in love with Durai Singam and puts herself in the harm’s way. Debutant Anoop Singh Thakur looked perfect foil for the fearless cop Durai Singam. Soori’s comedy was complete let down and acts as hurdle to the proceedings. As usual there is plenty of cast in the film and they have done their part well.

Harris could have worked more on songs and his part in BGM is average. Priyan knows how to work well with Hari and has followed the same here. Vijayan and Jay’s editing is splendid. Even though not convincing to full extent, the film has addressed a serious environmental issue as well, for which the team of the movie deserves a good round of applause. Overall the film can be watched only for its famous franchise..!! 🙂

Thozha (TAMIL)

Thozha-Movie-Release-Date-PosterStarring: Nagarjuna, Karthi, Tamannah, Vivek and many more
Editing : Praveen KL
Music : Gopi Sundar
Cinematography: PS Vinod
Directed by: Vamsi

The movie is the official remake of the critically acclaimed and hugely successful French comedy-drama The Intouchables that portrayed the beautiful friendship between a quadriplegic billionaire and his less-privileged caretaker. The major plus point of that film was the casting and their chemistry. Lets see how that has been handled in this remake.

Seenu (Karthi) is a carefree lad, who has just released from prison and his mother (Jayasudha) and siblings hate him. Money is everything for him until he meets Vikram (Nagarjuna), a quadriplegic billionaire who was paralyzed from the neck down in a para-gliding accident. Vikram is under enormous stress, which he doesn’t tell anyone and hates being seen with sympathy. Seenu is appointed as Vikram’s caretaker much to the surprise of his smart secretary (Tamannah) and best friend (Prakash Raj). The rest of the film is about how Seenu and Vikram help out each other in making their lives better and life is all about enjoying the moment.

The film beautifully portrays the fact that each and every one in the world has problems but if they get someone, who can show unconditional love, they are blessed. The film has a touching emotional content that thankfully is largely underplayed and never touches melodrama. The slow pace of the movie tests our patience mostly in the second half or otherwise its a smooth ride. Karthi impresses with his quirky dialogue delivery and body language. He fits into the role like a charm.

Equal credit should go for Nagarjuna. The veteran has portrayed a paralysed person who does not seek compassion with finesse. Prakash Raj in his tailor-made role does his job neatly. Tamannah as the secretary does her part without any mistake and she looks extremely ravishing. Jayasudha as Karthi’s mother is convincing while Vivek who comes as Karthi’s lawyer manages to make us laugh with his trademark dialogues. Anushka and Sriya chips in with cameos.

PS Vinod has done a great job, capturing most parts of Paris beautifully. His visuals are slick and looks to be of the highest quality. Dialogues by Raju Murugan and Murugesh Babu stand out throughout the flick. Gopi Sundar’s songs and BGM are good. Great performances, a refreshing screenplay and some stunning visuals make Vamsi’s movie a breezy, fun-filled entertainer that is definitely worth your time…!! 🙂

Rudhramadevi (TAMIL)


Starring: Anushka, Rana, Allu Arjun, Prakash Raj  and many more
Editing : Sreekar Prasad
Music : Ilayaraja
Dialogs: Pa Vijay
Cinematography: Ajayan Vincent
Directed by: Gunasekhar

Once ‘Baahubali‘ started a film somewhat looking similar to that will normally attract attention. When the top leads are the same who worked in that film then eventually it will grab the interest. Such was the hype created for this film. Lets see whether this has made the film into a success.

Kakatiya dynasty’s king Ganapatideva is anxious that his new-born baby is a girl. According to the dynasty, a woman can’t rule the country and hence enemies are ready to take over the power. But Shiva Deviah (Prakash Raj), the minister of Ganapatideva, gives an idea to make a false announcement that the new-born is a boy and also trains her as a true warrior. After few years, there comes a situation where Shiva Deviah is forced to reveal the secret and eventually, enemies announce war on the kingdom. The rest of the film shows whether Rudhramadevi (Anushka) is able to manage the enemies.

First of all this is not a bilingual as its being promoted and its a clear dubbed movie. The selection of voices for dubbing is a pure bad choice which makes the viewing experience very poor. Even bigger stars like Allu Arjun, Prakash Raj sounds too odd which gives the feeling of watching dubbed serials on the television. Another drawback are the dialog which does not sync with the film at all. Screenplay drags and drags in the second half and all the scenes are just coming and does nothing to the film.

Anushka has tried to lift the film on her own and fails miserably. Rana does nothing and Allu Arjun has been made a clown who just makes fear at the beginning and just helps to finish the film. Star casting could have been done better. VFX and stunts does not add anything to such a big movie. Ajayan’s camera work just revolves around the same set of war fields and kingdoms. Ilayaraja’s BGM is somewhat okayish. Gunasekhar’s plot is nice in paper but it fails damn bad when it is shown on the screen. A queen saga which backfires most of the times..!! 🙂

Baahubali (TAMIL)


Starring: Prabhas, Rana Daggubati, Anushka, Tamannah, Ramyakrishnan, Satyaraj, Nasser and many more
Editing : Venkateswara Rao
Music : Keeravani
Cinematography: KK Senthil Kumar
Dialogues : Kaarky
Directed by: SS Rajamouli

Finally here it is..!! The much awaited film which boasts of the tag claiming of the biggest ever production in India uproar the entire world and the finest part was the film is not just a single part but it comes in two parts where the second one will come in early next year. Vast usage of VFX, CG everything is present in the film and thus is the star cast of the film too. Lets see what else is present.

The film starts with Sivagami (Ramyakrishnan) carrying a child escaping from men who are in search of her. She escapes and lifts the child and crosses the river. The infant is saved and brought up by Rohini who belongs to a tribe and he grows up as Shiva (Prabhas). He likes climbing mountains and on one such day he meets Avantika (Tamannah) who is a warrior belonging to the group which is on verge of saving Devasena (Anushka) who is kept tortured by Bhallala Deva (Rana) and his dad (Nasser). Avantika is helped by Shiva who rescues Devasena and then he comes to know about the truth behind his birth. He is none other than the son of Devasena and Amarendra Bahubali (Prabhas, dual role). Kattapa (Sathyaraj), slave warrior explains this to him. Here comes the end of first part. Why, where and what all are answered in the conclusion part..!!

Now, there are several films that are about greed for power, palace intrigue and bloody battles. But this film is more about the imagery and visual grandeur, than the story itself. The VFX stands tall from the beginning (except a few shots). The artificially generated waterfall and the entire kingdom of Mahishmati deserves a huge applause. In fact, visual brilliance helps Baahubali bail out of trouble mainly in the first half. The film takes time to settle in the first half which is slow and lacks fascination. The whole of Baahubali depends on its fast paced second half and the climax will leave you wanting for more. Another letdown are the songs and its placements.

Prabhas, both as the father and son, has worked extremely hard and carried the roles on his broad shoulders as per the title. Rana as the antagonist is excellent with his body language and his dubbing is perfect. Ramya Krishnan has given a powerful  performance and proves her caliber. Tamanaah has tried her best, and her part is well used to move the story. Sathyaraj eaves an indelible mark, giving his all for the role. Nasser has been typecast in the usual role of the villain and does not have much scope in this part. Anushka has just few scenes where her makeup can take the credit.

Kaarky’s dialogues are very powerful and his special dialogues for the climax need subtitle. Sabu Cyril needs a special mention for such huge sets and statues. Senthil Kumar has once again captured the mega sized dreams of his director through his lens. Background score by Keeravani adds strength to the film. Venkateswara Rao could have chopped few scenes to make the first half interesting but achieves exactly that in the second. To bring such a huge cast, VFX, CG, creativity in visualizing the shots all kudos should go to the man who created this epic, Rajamouli. The film has touched one of the highest levels as far as visual grandeur is concerned and Rajamouli’s stamp is evident only in this aspect. See this for sure and wait again in 2016..!! 🙂

Yennai Arindhaal (TAMIL)


Starring: Ajith, Arun Vijay, Trisha, Anushka, Vivek and many more
Editing : Anthony
Music : Harris Jayaraj
Cinematography: Dan McArthur
Directed by: Gautam Vasudev Menon

The directors movies are class on its own. He already took two cop films which was a trendsetter in those times. He joins with a actor who dies to give more and more good films and they come together for the first time after a lot of unsuccessful tries earlier. When they both join and give a cop story then imagine how high the magnitude it will be. Lets see how thats been reflected in the movie.

The film is one of the passage which a person crosses in his life. The story revolves around Sathyadev (Ajith) from his age of 13. Thenmozhi (Anushka) meets Ajith and when she starts liking him she comes to know that Victor (Arun Vijay) is behind the motive of killing her and Ajith is there to rescue her. When she comes to know about Ajith she also gets to know about Hemanika (Trisha) and their daughter. Who are they and where is Hemanika now and who is Victor to Sathya. These all forms the entire story.

If you’ve followed Gautam’s films, the kind of roles he writes for his leading ladies and the way he portrays them are commendable even if they were to feature briefly, and its for sure that none other filmmaker can beat him in this regard. The only best portion of the film is only when Arun Vijay comes to the screen and the rest of all other scenes, the love portions all have already come in the director’s earlier films which was also a cop film. This is one area in which the film slows down and the sad thing is it takes our toll hugely in the first half.

Without doubt we can clearly say that Ajith has given his full life into the character of Sathyadev and except him no one else could have carried it with ease. The actor is full of energy and constantly shines in the classic emotional portions and racy action sequences. After Ajith, it is Arun Vijay who takes the film to a different level. Arun Vijay has brought out his best and we are not surprised on this and finally he has attained the coveted place in the industry. Anushka has little to do, but the beautiful chemistry shared by the lovely Trisha and charming Ajith, definitely works big time. Vivek could have been used a bit more. Parvathy Nair and Daniel Balaji are also present along with Nasser in a short and sweet role.

Anthony’s editing could’ve been way more crispier, as the length of this movie is its biggest minus. Screenplay is slow especially in the first half with the feel of already seen scenes and gets a touch irritating in the second half as well. Harris Jayaraj’s background score is definitely a plus but gets too loud at times. Dan Macarthur’s cinematography is fresh and captures some cool visuals even though its an action field. Gautam has tried to present a cop story with an emotion angle added to it from his previous films but he has almost pulled it as he was duly helped by his characterization of his hero. If not then it will just look like his previous outings. Watch this for Sathyadev and Victor..!! 🙂

Lingaa (TAMIL)


Starring: Rajnikanth, Sonakshi Sinha, Anushka, Santhanam and many more
Editing : Samjith
Music : AR Rahman
Cinematography: Rathnavelu
Written and Directed by: KS Ravikumar

Rajni, the Super Star, returns back live after 4 years. That too the film released on his birthday. What else will give more joy to all the film fans. Lingaa a short time creation but with a huge star cast gave a very good hype on what the film is as many cases were against the story of the film. So lets see what the Super Star gives us.

Named after his grandfather, Lingeshwaran (Rajnikanth) is one of the classiest robbers, in association with his friends. But he is also wanted by Anushka and the folks of Solaiyur, for reopening an age old temple. Curious and clueless about why his grandfather is praised so much, Linga is finally forced to agree to visit the village. The young lad eventually learns that his grandfather was the one to revive the life and livelihood of the entire village, with his own money. But flashing back, Lingeshwaran is a wealthy king with a heart singularly aimed at serving people. Why and how did the king misunderstand? What is the backbone forms the rest.

The problem with Lingaa is that even though Rajnikanth plays two characters, it is Lingeswaran whom the film is clearly enamoured with. But the character is not truly striking and hardly has a formidable antagonist — the scheming British collector never seems threatening. For a film crafted and made ready-to-release in six months, many frames in the film look like a richly painted big canvas, quite a visual treat, with the beautiful Mysore palace and also sets mounted on a mega scale, animation and computer graphics.

Superstar – that’s one word, said enough. For years, movies that star Rajnikanth, portray him as a rogue who ultimately transforms into a benevolent and generous, forthcoming person with high respect in the society. This is the person Rajnikanth himself, in most parts. Thalaivar plays his part well, as a gentleman in all respects, and his dialogues befit both his roles. And both Sonakshi Sinha, who abandons her home and village to be with the Raja as he is banished, and Anushka Shetty as a television anchor-girlfriend of Lingaa are characters on the periphery. Naturally, with a superstar like Rajnikanth in frame after frame, the others around shrink into inconsequential specks.

Rathnavelu’s work on the camera angles, especially in songs, apart from palace scenes and train fight sequences are good. Equally good is Samjith’s work on editing and superimposition – noteworthy are the scenes when of jewellery robbery and the spat with the British. AR Rahman’s songs slowly gives the pep for the film and his background score is simple as the story. It is another clean masala from Ravikumar which has a racy screenplay to justify the story that preaches unity, integrity, honesty, humility, and generosity, all for the goodwill of people. Introduction of the thought that people should not be biased based on caste, is an intelligent move. However, certain patches do stand out as sore thumb that are in dire need of finesse – like dialogues for everyone other than Rajni, action, choreography, and graphics, especially in climax. In all, the film looks like it is made for Rajnikanth, to make him the hero of all times, but fails to meet expectations as a movie on the whole…!! 🙂